Guitar Match can certainly be an excellent songwriting tool to get a feel of the sound you’re going for, or even be handy live if you want the flexibility of tone without lugging around an army of axes.īut in a professional studio environment, I don’t see it completely eliminating the need for different guitars and configurations. It can’t however transform a cheap knockoff into a $5000 guitar. It’s an impressive technology and can yield reasonably convincing results given an actually good guitar with high-quality pickups. It then compares the gathered data from all of these measurements and makes adjustments to match the chosen guitar model through their algorithm. Then you play single notes while it analyzes the tone. Guitar Match works by having the user enter the design of their guitar: body style and pickup configuration. As with most tech that claims to turn one thing into another, what it provides is a reasonable approximation and not a miraculous alchemy. By analyzing the sound of your guitar and comparing it to their standard models, it can turn a Stratocaster into a Telecaster or a Les Paul into a Jazzmaster.īut do these claims stand true? Well, to an extent. The New and Shiny: Guitar MatchīIAS FX 2’s heavily marketed flagship feature Guitar Match, claims to be able to turn one guitar into several kinds of legendary guitars.
Hardware components are painstakingly realized in the digital realm, which is pleasing to work with and lends a qualitative authenticity to the end product. Not only does it look good, but it is simple and powerful enough to facilitate a streamlined workflow, in the studio, or even live. Overall, BIAS FX 2’s interface is a breeze to work with.
#Amp match bias amp 2 not working Patch#
The GUI includes the usual collection of controls for input and output levels, patch banks, and so on.Ī dedicated button brings up BIAS FX 2’s Guitar Match functionality, which we will elaborate further on. The interface features handy buttons to switch between single and dual signal paths and to save various versions of patches into ‘scenes’. A number of factory presets, which include some signature artist patches are easily accessible Double-clicking a component brings up a categorized library of all the other available components to replace it with.Įach component also features a power switch to easily turn them on or off. Every component in the chain has a sleek icon that can be clicked to bring up the individual GUI for each amp, cabinet, or effect pedal.Īll the component interfaces are modeled after their real-life counterparts and feature smooth knobs and switches for tweaking.Ĭomponents can be clicked and dragged to add, remove, or change their position in the signal path. BIAS FX 2’s loading screen opens up into a neat view of the signal path of its default patch.
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